|Hans Christian Andersen and Music||I am a Scandinavian|
Both Andersen’s poem “We are one people, we are called Scandinavians” and the corresponding melodies are examples of how he kept abreast of the ideological trends of the time. Scandinavism underwent a strong but short growth during the 1840s, and Andersen’s tribute to it became briefly known in several of the Nordic countries.
In May 1839 Andersen had promised the Swedish author and publisher Bernhard Cronholm a contribution to the Swedish-Danish New Year gift calendar Hertha. During these years the Danes nurtured particularly warm feelings for their Swedish brethren, and in southern Sweden Copenhagen was regarded in many ways as a cultural centre. For this reason, a number of Danish-Swedish poetical calendars were published. Bernhard Cronholm’s appeared for three years running and contained works by both Danes and Swedes – Andersen was the most prolific contributor. In all cases, however, the music was Swedish.
However, the poem was first written at Lykkesholm Manor on the island of Funen on 24th July 1839. Andersen had strolled through the surrounding woods and thought of Sweden. “I sensed the beauty of the Nordic spirit, the way the three sister nations have gradually grown together, and then it occurred to me that we three have no national anthem. I wanted to provide one, and no sooner said than done. I think I shall find the right melody, like the one we have for ‘Kong Christian’ (‘King Christian’), and then it may well become Scandinavian...”
In October Andersen was thus able to send the poem to Cronholm, who gladly accepted it for his collection, which was published in January 1840 and moreover included a picture of Andersen facing the title page, which pleased him very much. Shortly afterwards, on 26th January 1840, the poem was printed on the front page of the Danish newspaper Fædrelandet, which supported the idea of Scandinavian unity.
Although the poem was given this arrangement when first published, it was not placed firmly on the repertoire until 1845 – by the students’ societies at the universities of both Lund in Sweden and Copenhagen. It was probably Lindblad himself – who conducted the students of Lund – who placed the song on the repertoire in Lund.
But when Andersen visited Lund as early as in April 1840, he was acclaimed by the students with both this and other songs. When the students of the three Nordic countries met in 1845, the Swedes greeted the Norwegians in Copenhagen Harbour with this very song, and it was also included in one of the first Norwegian collections of male choir songs (from 1845). But after this brief period of popularity Andersen’s poem was seldom sung.
Johan Christian Gebauer
However, it was probably sung for the first time at a meeting of the so-called Scandinavian Society. This was a group of Danes who were interested in the Nordic concept who met during the 1840s to discuss, listen to lectures, music, etc with a Scandinavian aim. At the meeting towards the end of February 1844 they were thus able to sing Andersen’s Scandinavian poem to Gebauer’s melody, which was described as “a new music”. It was included in the society’s song book, which was published in instalments between 1843 and 1846, and it was also included in no less than ten other song books up to 1870 – thus broadly speaking within Andersen’s lifetime.
Gebauer’s melody too has a march-like style that is well suited to a Scandinavian anthem, but the way the melody springs from low to high notes makes it rather difficult to sing. It goes with the rest of his patriotically slanted song production, but is written in a slightly more complicated tonal idiom than the simple style which otherwise characterizes his vocal production.
In 1841 the composer tried to get the melody perfomed by the Music Society in a version for male choir and orchestra, but it was rejected, probably because the text had too many political undertones. However, it enjoyed a brief popularity as a song for solo and choir, and was performed, for example, with a male choir of 150, in the Casino Theatre in May 1848.
Andersen wrote “at last my song is honoured, and I was told that it would survive everything else I have written! Indeed, one of our most important public characters assured me in all seriousness, that it was the only poem that made me a Danish poet. Now it receives full honours, yet a year ago it was merely the product of flattered vanity”. The ‘public character’ was the politician Orla Lehmann, but the prophecy was not entirely fulfilled. Later, Andersen had to note that “both in Sweden and in Denmark, my song had composers and has become a concert piece, but it has not become popular” – even though both melodies were known, at all events in Denmark.
Lykkesholm Manor on the island of Funen, not far from the town of Ørbæk. Andersen felt very much attached to several manor houses in Funen, including Lykkesholm, where he was always well received by the Lindegaard family. In 1839 he wrote his Scandinavian poem here.
First page of Andersen’s MS for the poem “I am a Scandinavian”.
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